ABOUT

DIGITAL

GRAPHIC

CONTACT

JP

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DESIGNER

FULLSTACK

graphic design

web design

ux/ui design

branding

web development

sega

mixi

belka

Matsuya Ginza

and more

SAYVONG DANNY

セイヴォン ダニー

ABOUT

PROFILE

Full-stack designer with 8+ years of experience across UX/UI, graphic design, and front-end development. My portfolio spans games, telehealth, fintech, and street design, showcasing a versatile approach to problem-solving and visual communication.

 

I’ve worked with leading companies including SEGA, Belka Games, Mixi, Matsuya Ginza, and Westpac, contributing to UX strategy, interface design, prototyping, and user testing. With a strong foundation in social media marketing and street-style design, I bring culturally sharp, adaptive thinking to every project.

FOLLOW

EDUCATION/CAREER

  • Billy Blue College of Design 2019
  • Academy Xi UX/UI デザイン 2021
  • YOSHIDA日本語学院 2023
  • 東京デザイナーアカデミー 2024
  • Freelance Designer (8 years – Present)
  • World Doctors United (Australia) – Internship, 2021
  • Westpac Bank (Australia) – Internship, 2021
  • SAYSO (New Zealand), 2022
  • AKA Virtual (Japan) – Present

**Worked as Graphic Designer, UI/UX Designer

& Social Media Designer**

WORKSPACE

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01

UI DESIGN - WIREFRAME - PROTOTYPE

SAMBA DE AMIGO

AR FILTER

Commissioned by SEGA to design the UI for a TikTok AR filter promoting Samba de Amigo: Party Central (Nintendo Switch). I created intuitive visual guides, animations, and UI layouts that conveyed the game’s playful rhythm while ensuring smooth usability. Working closely with SEGA’s team, I optimized the interface for both performance and user experience.

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WEB DESIGN - UI DESIGN - GRAPHIC DESIGN/SNS

POGLIN

For Gacha Monsters’ emerging IP Poglin, which spans anime, gaming, Web3, and physical goods, I designed the desktop/mobile game UI, official website, and social media graphics. My goal was to strengthen the visual cohesion of this broad universe—balancing intuitive gameplay with the IP’s rich storytelling and animation style. I worked closely with their creative team to build scalable visual systems for future expansion.

02

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03

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UI DESIGN - GRAPHIC DESIGN /SNS

FIGHT LEAGUE

I created social media content for Mixi’s titles Fight League Survivor, Fight League Medallion, and Fight League Missions. Using Twitter and Discord as primary channels, I developed content strategies that increased engagement and highlighted key game features. I also contributed to select UI design tasks.

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WEB DESIGN - UI DESIGN

BELKA CLOCKMAKER

Designed a localized, high-conversion landing page for Clockmaker targeted at Japanese audiences. I focused on culturally relevant design elements, appealing visuals, and clear messaging that highlighted the addictive match-3 gameplay and story. This included custom animations, localized UI/UX, and audience-focused visual direction.

04

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UI DESIGN - PROTOTYPE

TEZZA POKER

Updated core UI screens, new gameplay modes, buttons, and iconography for a competitive online poker game. The goal was to enhance clarity, usability, and the sleek competitive tone while keeping the design consistent with existing branding.

05

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WEB DESIGN - UI DESIGN -

WEB DEVELOPMENT

WOLFMAN BARBER LP

Redesigned the official website of the long-established Wolfman Barber in Harajuku. I blended the barbershop’s vintage identity with modern usability, improving the reservation flow, mobile responsiveness, and overall brand experience.

06

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web DESIGN - graphic design - space design

TOKYO GAME SHOW 2023

& 2024

At Tokyo-based AKA Virtual, I handled corporate site updates, brand-wide visual design, Tokyo Game Show booth visuals, and promotional materials. I created a cohesive and striking brand direction that highlights the company’s cutting-edge technology and global creative network.

07

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graphic design - branding - videography

THE ABSTRACT TOKYO

Abstract Tokyo is a creative event blending art, music, and culture. I designed the branding, logos, promotional graphics, and event visuals inspired by vintage hip-hop bootleg tees and underground album aesthetics—capturing its raw, street-driven energy.

08

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UX RESEARCH - UI DESIGN

WESTPAC BANK APP

For this project, I worked with a team of designers on the UI/UX design for the Westpac Bank iPhone App, which received the Good Design Award 2021 for its clarity, accessibility, and user-first experience.

 

Our focus was on creating an intuitive and approachable financial interface—using a minimal visual system, clear information hierarchy, and gentle motion to reduce the stiffness often found in banking apps. The result is a transparent, easy-to-use experience that integrates naturally into everyday life.

09

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graphic design - branding

GLAMOROUS DAYS

Created the branding and visual direction for Glamorous Days, a mock promotional campaign set in Omotesando and inspired by Mika Nakashima’s aesthetic. I blended retro nostalgia with modern elegance to produce visuals evoking summer youth and emotional freedom, connecting Coca-Cola’s timeless appeal with the vibrancy of Omotesando’s culture.

10

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LET’S CONNECT!

2025 PORTFOLIO

SAYVONG DANNY

ABOUT

DIGITAL

GRAPHIC

CONTACT

JP

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////////////

////////////

////////////

////////////

////////////

DESIGNER

FULLSTACK

graphic design

web design

ux/ui design

branding

web development

sega

mixi

belka

Matsuya Ginza

and more

SAYVONG DANNY

セイヴォン ダニー

ABOUT

PROFILE

Full-stack designer with 8+ years of experience across UX/UI, graphic design, and front-end development. My portfolio spans games, telehealth, fintech, and street design, showcasing a versatile approach to problem-solving and visual communication.

 

I’ve worked with leading companies including SEGA, Belka Games, Mixi, Matsuya Ginza, and Westpac, contributing to UX strategy, interface design, prototyping, and user testing. With a strong foundation in social media marketing and street-style design, I bring culturally sharp, adaptive thinking to every project.

FOLLOW

EDUCATION/CAREER

  • Billy Blue College of Design 2019
  • Academy Xi UX/UI デザイン 2021
  • YOSHIDA日本語学院 2023
  • 東京デザイナーアカデミー 2024
  • Freelance Designer (8 years – Present)
  • World Doctors United (Australia) – Internship, 2021
  • Westpac Bank (Australia) – Internship, 2021
  • SAYSO (New Zealand), 2022
  • AKA Virtual (Japan) – Present

**Worked as Graphic Designer, UI/UX Designer & Social Media Designer**

WORKSPACE

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01

UI DESIGN - WIREFRAME - PROTOTYPE

SAMBA DE AMIGO

AR FILTER

Commissioned by SEGA to design the UI for a TikTok AR filter promoting Samba de Amigo:

Party Central (Nintendo Switch). I created intuitive visual guides, animations, and UI layouts that conveyed the game’s playful rhythm while ensuring smooth usability. Working closely with SEGA’s team, I optimized the interface for both performance and user experience.

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WEB DESIGN - UI DESIGN - GRAPHIC DESIGN /SNS

POGLIN

For Gacha Monsters’ emerging IP Poglin, which spans anime, gaming, Web3, and physical goods, I designed the desktop/mobile game UI, official website, and social media graphics. My goal was to strengthen the visual cohesion of this broad universe—balancing intuitive gameplay with the IP’s rich storytelling and animation style. I worked closely with their creative team to build scalable visual systems for future expansion.

02

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03

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UI DESIGN - GRAPHIC DESIGN /SNS

FIGHT LEAGUE

I created social media content for Mixi’s titles Fight League Survivor, Fight League Medallion, and Fight League Missions. Using Twitter and Discord as primary channels, I developed content strategies that increased engagement and highlighted key game features. I also contributed to select UI design tasks.

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WEB DESIGN - UI DESIGN

BELKA CLOCKMAKER LP

Designed a localized, high-conversion landing page for Clockmaker targeted at Japanese

audiences. I focused on culturally relevant design elements, appealing visuals, and clear messaging that highlighted the addictive match-3 gameplay and story. This included custom animations, localized UI/UX, and audience-focused visual direction.

04

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UI DESIGN - PROTOTYPE

TEZZA POKER

Updated core UI screens, new gameplay modes, buttons, and iconography for a competitive online poker game. The goal was to enhance clarity, usability, and the sleek competitive tone while keeping the design consistent with existing branding.

05

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WEB DESIGN - UI DESIGN - WEB DEVELOPMENT

WOLFMAN BARBER LP RENEWAL

Redesigned the official website of the long-established Wolfman Barber in Harajuku. I blended the barbershop’s vintage identity with modern usability, improving the reservation flow, mobile responsiveness, and overall brand experience.

06

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web DESIGN - graphic design - space design

TOKYO GAME SHOW 2023 & 2024

At Tokyo-based AKA Virtual, I handled corporate site updates, brand-wide visual design, Tokyo Game Show booth visuals, and promotional materials. I created a cohesive and striking brand direction that highlights the company’s cutting-edge technology and global creative network.

07

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graphic design - branding - videography

THE ABSTRACT TOKYO

Abstract Tokyo is a creative event blending art, music, and culture. I designed the branding, logos, promotional graphics, and event visuals inspired by vintage hip-hop bootleg tees and underground album aesthetics—capturing its raw, street-driven energy.

08

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UX RESEARCH - UI DESIGN

WESTPAC BANK APP

For this project, I worked with a team of designers on the UI/UX design for the Westpac Bank iPhone App, which received the Good Design Award 2021 for its clarity, accessibility, and user-first experience.

 

Our focus was on creating an intuitive and approachable financial interface—using a minimal visual system, clear information hierarchy, and gentle motion to reduce the stiffness often found in banking apps. The result is a transparent, easy-to-use experience that integrates naturally into everyday life.

09

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graphic design - branding

GLAMOROUS DAYS

Created the branding and visual direction for Glamorous Days, a mock promotional campaign set in Omotesando and inspired by Mika Nakashima’s aesthetic. I blended retro nostalgia with modern elegance to produce visuals evoking summer youth and emotional freedom, connecting Coca-Cola’s timeless appeal with the vibrancy of Omotesando’s culture.

10

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LET’S CONNECT!